badly_knitted: (Varian with sonic energiser)
[personal profile] badly_knitted posting in [community profile] fan_flashworks

Title: In Trouble Again
Fandom: The Fantastic Journey
Author: [personal profile] badly_knitted
Characters: Willaway, Scott, Fred, Sil-El, Liana, Varian.
Rating: PG
Setting: After the series.
Summary: The travellers have accidentally landed themselves in hot water again.
Word Count: 400
Content Notes: Nada.
Written For: Challenge 507: Amnesty 84, using Challenge 88: Hot Water.
Disclaimer: I don’t own The Fantastic Journey, or the characters. They belong to their creators.
A/N: Quadruple drabble.





m_findlow: (Date)
[personal profile] m_findlow posting in [community profile] fan_flashworks
Title: Hot and humid
Fandom: Torchwood
Characters: Jack, Ianto
Author: m_findlow
Rating: PG
Length: 1,163 words
Content notes: None
Author notes: Written for Challenge 506 - Amnesty using Challenge 28 - Warmth
Summary: The hub is freezing but Ianto has found the perfect spot for making it through cold winter days.

Read more... )

February Monthly Post

Feb. 28th, 2026 12:25 am
ysabetwordsmith: Bingo balls (bingo)
[personal profile] ysabetwordsmith posting in [community profile] allbingo
This is the February community post for [community profile] allbingo. What were your bingo activities during February? What are your plans for March?

For February we had:
[recurring]
Valentines Fest (and its Meet and Greet) hosted by [personal profile] ysabetwordsmith
This fest features romantic ups and downs, along with platonic options.
Posting will be February 1-28.

See also the Aromantic February 2025 Prompt List by [personal profile] abyssal_sylph.

For March we will have:
[recurring]
National Craft Month Fest hosted by [personal profile] nsfwords
This is a fest focusing on the myriad joys (and frustrations) of Crafting.
Posting will be March 1-30.
shadowkat: (Default)
[personal profile] shadowkat
1. FB, Instagram, and Youtube want me to buy a Mellow Cloud Pillow for some absurd reason. I've been pummeled with ads on it on all three. The evil marketing people have figured out how to manipulate us into buying things via social media platforms. Must resist. Otherwise they win. I do not need a Mellow ergonomic pillow - also been there done that, and they never work for me.

2. After re-watching all of Buffy and up to Angel S5 Episode 17, I've picked up on a few things that I feel compelled to share...

* For a low-budget television series done in the 1990s-early 00s, and at a fast pace, with 22 episodes per season, not to mention being on the brink of cancellation? These series are brilliant in many ways - almost flawless in acting, stunts, special effects, and dialogue. Read more... )

* The best character arcs are - Spike on Buffy and Wes on Angel. And they both have one thing in common - outside of the fact that they are both in the Buffyverse - Whedon had no idea what he was going to do with either character, how they fit into the story, or plot. Interestingly enough? Whedon did carefully plot out all the others - specifically Cordelia and Willow, and was proud of it. But, ironically, Cordelia and Willow have the worst character arcs - neither quite works, both are clumsy, and both rely way too much on possession by an outside source and comic book gimmickry. (ie. Whedon spent too much time obsessing over Dark Phoenix for his own good.)
Read more... )
* Angel can't be redeemed because he's too busy fighting with himself to get anywhere. Read more... )

3. My soap opera is aggravating me, which is par for the course with soap operas, they tend to be that way by nature? I watch them because I get invested in various characters.

The Pitt, on the other hand, is excellent and my favorite television show at the moment. It's very comforting. Also it looks exactly like the ER's that I've been inside of in NYC. Certainly looks a lot like the one in NYU Langone. It's about problem solving in crisis mode. And shows a lot of kindness. Very nice antidote to my rising misanthropy - caused by a combination of factors, public transportation, crazy org, national news (the small scraps I get), and the soap opera. Also social media platforms (not this one - Dreamwidth is kind of an oasis in a sea of negativity and ads.).

4. A co-worker (Moscow Co-worker) sent the following article link to myself, Breaking Bad, and various other co-workers for our reading pleasure.

"For you reading pleasure (long article that spooked some people yesterday):"2028 Global Intelligence Crisis

To which Breaking Bad replied: "Way too long and technical for me."

Sigh. It is. It's also about how AI is taking away our jobs and evil tech revolution is taking away jobs ....reminds me of the industrial revolution.
No wonder it scared folks.

Actually, if you've studied history (specifically between 1870s-1980s) and have a mind for pattern recognition, you may realize how incredibly similar the two trajectories are. I'm not sure if that's comforting or not? Does kind of promote a feeling of general misanthropy and malaise. But hey, at least we know if things get worse than the height of the industrial revolution (that was the atomic bomb and WWI and II), we're all dead.

And on that happy note - I'm off to bed, hopefully to sleep and not dream overly much.
teaotter: A chinese woman in a historic palace maid outfit looks to the side, against a navy background (Wei Yingluo plots)
[personal profile] teaotter posting in [community profile] fan_flashworks
Title: shattered
Fandom: The Story of Yanxi Palace (mods, you can use the generic Cdrama tag)
Challenge: Yellow

Summary: All those broken yellow teacups.


Read more... )
lilly_c: Kathryn and Chakotay coming out of stasis on New Earth after 17 days in quarantine (Kathryn & Chakotay - stasis)
[personal profile] lilly_c posting in [community profile] fan_flashworks
Title: seams
Fandom: Star Trek: Voyager
Rating: G
Length: 200 words
Content notes: none really
Author notes: General early season two timeline. More gen than shippy, just a quiet moment on the bridge.
Summary: “Have you been to sickbay?”

seams )

(no subject)

Feb. 27th, 2026 08:56 pm
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
[personal profile] beccaelizabeth
I thought it had gone quiet around here
then I realised Ao3 feeds I follow are just giving errors
and also that I seem to be the only one using them.

... I am way too tired this week to do the thinking on this one but if I write it down I may remember there was a thing to think on.

Follow Friday 2-27-26

Feb. 27th, 2026 01:45 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith posting in [community profile] followfriday
Got any Follow Friday-related posts to share this week? Comment here with the link(s).

Here's the plan: every Friday, let's recommend some people and/or communities to follow on Dreamwidth. That's it. No complicated rules, no "pass this on to 7.328 friends or your cat will die".


(no subject)

Feb. 27th, 2026 05:40 pm
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
[personal profile] beccaelizabeth
I have been reading fanfic this week between the Noisy bits.
... there are a Lot of Noisy Bits.

I keep reading fic where they didn't do it the way I would and this has an obvious solution.
At some point writing could happen.

But's it's stuff like crossovers that keep one half as a guest star who doesn't say much, when it was his fandom tag I was working through. I don't know what I would have Constantine say about Dresden Files but it would be something from his own point of view. We would know where in his canon he was. It would be distinctly relevant, given all the everything.

... also the argument you shouldn't tell a guy he is stories in your universe because he'll get mad at the writers
(which the fic made due to Dresden having read all of Hellblazer but just not dealing with that out loud)
doesn't really hold up because multiverse
(too many canons for one version to live, writers clearly not to blame for the existence of infinite possibility)
and also
https://screenrant.com/constantine-real-life-alan-moore-dc-comics/
https://www.vulture.com/2014/10/secret-history-of-john-constantine.html
of all people, he *knows*.

... I am aware of the logical reasons for the writers seeing a bloke in a trenchcoat, and yet.


I read some Labyrinth fic as well that was going well until it seemed to believe Jareth about Jareth.
*do as I say* / and I will be your slave
is not an offer.

So I would write that whole thing very much a different way up.

But then what is the attraction of it? If I'd only go there to change one character.
Tricky to then make it what anyone in the tag is even looking for.



Constantine and Jareth and Dresden are making me have a think about characters attitudes to women.
And what makes them interesting despite them.

Constantine is left the least problematic these days, pretty much because his canon is most recent (that I have read, I gave up on Dresden with Side Jobs apparently, and stalled on a reread lately on Fool Moon because that was not a point of view I was having fun in)(also I have the TV series but remember it not. Hmm, shouldn't have opinions on Dresden then.).

Reading one Hellblazer writer's attitude to John using up his friends and throwing them away... I mean apart from wondering why he wrote him that way if he didn't like it, I'd say that isn't what the Constantine TV show did, even when it was. They kept him more knife edge, so you could interpret him either way, like he was trying his best or like he was tricking his nearest into things. The ambiguity is part of what makes him compelling I feel. If he lands all good or all bad then he's not really Conjob any more, you know?
But the further away from original cultural context you get then the more it'll land different.
The balance tips without the story changing.

Also, fanfic is written by a different demographic than the original comics, mostly.

Things get spun different or rolled out in a new direction.



I do keep wanting to write the man but I also don't want to color inside the lines, so I have in fact got a new trenchcoat in mind and should give him a name.

Making Constantine a timeline sliding archetype is a big change. You can't get the specificity that way. I have complained before. It leaves problems as individual personal ones because the details of the politics and social conditions get stripped out. But that makes the politics slide in somewhat unexamined instead.

The 2014 TV show did not do well with race. I do not know where I would need to start to do well with race. But it needs doing carefully and consciously or all the horror cliches drag the old racisms along with them.



I have no conclusions yet, to thus post or otherwise.

But I am actually reading, and something that isn't Doctor Who or DC, so thoughts are being generated.

ish.

Two artists with different styles

Feb. 27th, 2026 02:25 pm
kazzy_cee: Art picture (art)
[personal profile] kazzy_cee
On Wednesday, Mr Cee and I went to the Tate Britain art gallery to see their exhibition Turner & Constable Rivals and Originals.   We were really lucky to get tickets! I'd completely forgotten about the exhibition until this week, but fortunately, we managed to get an afternoon slot.

Joseph Mallord William Turner (known as William) was born in 1775 in the centre of London to a working-class family (his father was a barber) and never lost his London accent. He travelled across the country and into Europe to find subjects to paint. He showed exceptional talent at a young age and was invited to enrol at the Royal Academy of Arts to study at just 14. He supported himself during his studies by working as an architectural draughtsman's assistant and watercolour copyist. He had a very long and successful career and died, aged 76, in 1851.
IMG_5721.jpeg
JWM Turner Self Portrait (1799)

John Constable was born in 1776 in a village in Suffolk in South-East England. He spent most of his career painting within this area, and during his lifetime, it became known as 'Constable Country'.  His family was wealthy, and even though they were nervous about their son becoming an artist, they supported him financially.  He began his studies at the Royal Academy when he was 24. He took longer to establish his career, but was also very successful and died, aged 60, in 1837.
IMG_5729.jpeg
John Constable by Ramsay Richard Reinagle (1799).  Reinagle and Constable were housemates when Constable moved to London.

Rivals in their lifetime, their approaches to landscape painting (which was becoming very fashionable) were very different, and critics described Constable's work as 'the truth' and Turner's as 'poetry'.  Their originality and innovation still resonate 250 years later, and seeing their works hung together was fascinating, highlighting their differing approaches.

Under the cut for far too many photographs of lovely things.
Read more... )

It was a huge exhibition - and I'm glad we got tickets as they are in very short supply now, as it closes on the 12th April.

Psalm 143

Feb. 27th, 2026 05:00 am
[syndicated profile] experimentaltheology_feed

Posted by Richard Beck

"no one alive is righteous in your sight"

Church tradition identifies seven penitential psalms: Psalm 6, Psalm 32, Psalm 38, Psalm 51, Psalm 102, Psalm 130, and Psalm 143. So here we are with Psalm 143, the last of the seven penitential psalms.

Psalm 143 is included in the list for its opening lines and their recognition of universal sinfulness:

Lord, hear my prayer.
In your faithfulness listen to my plea,
and in your righteousness answer me.
Do not bring your servant into judgment,
for no one alive is righteous in your sight.

It’s a fitting reflection here at the start of Lent.

I’ve shared this before, but in my spaces there is a struggle to recognize Lent as a penitential season. Lent has, rather, drifted into pop existentialism, pop Stoicism, and pop Buddhism.

What do I mean by pop existentialism, pop Stoicism, and pop Buddhism?

Well, you likely saw this all over social media last week with Ash Wednesday and the start of Lent. In these posts, notes, tweets, photos, and short videos, we’re told that Lent is the season where we “face our mortality.” During Lent we “face our finitude.”

People get this idea, of course, from the words of Ash Wednesday: “Remember that you are dust, and to dust you shall return.” It seems straightforward. We’re told to remember we are dust, so we contemplate our mortality.

The bit being left out is where the words of Ash Wednesday come from. They come from Genesis 3 and are the words of the curse placed upon Adam and Eve for their sin. Yes, we’re remembering we are dust, but we’re also calling to mind our complicity in bringing about this curse. This is why we don’t smear dirt on our heads, but ashes. Ashes are a sign of grief and sorrow. Dirt would be an existential sign. Ashes, by contrast, are a penitential sign. Ashes preach the sermon of Psalm 143: “No one alive is righteous in your sight.”

When Lent loses this penitential aspect it becomes, as I said, pop existentialism, pop Stoicism, and pop Buddhism. Calls to “contemplate your mortality” run through these traditions:

From the Stoic Marcus Aurelius’ Meditations: “You could leave life right now. Let that determine what you do and say and think.”

From Stoic Epictetus’ Enchiridion: “Set before your eyes every day death and exile and everything else that looks terrible, especially death. Then you will never have any mean thought or be too keen on anything.”

From the Dhammapada, a core summary of the Buddha’s teaching: “All conditioned things are impermanent—when one sees this with wisdom, one turns away from suffering.”

From the Satipatthana Sutta, concerning the Buddhist practice of corpse contemplation as a mindfulness practice: “This body of mine, too, is of the same nature as that body [the decaying corpse], is going to be like that body...”

Concerning pop existentialism, the title of Ernest Becker’s Pulitzer Prize–winning book The Denial of Death describes all the psychological and social pathologies that result when we repress our awareness of death.

Let me be quick to say here that memento mori practices have a rich tradition within Christianity. Facing our mortality is an important practice. Just a few selections from the Bible:

Ecclesiastes 7:2: “It is better to go to a house of mourning than to go to a house of feasting, since that is the end of all mankind, and the living should take it to heart.”

Psalm 90:12: “Teach us to number our days carefully so that we may develop wisdom in our hearts.”

Psalm 103:14–16: “For he knows what we are made of, remembering that we are dust. As for man, his days are like grass—he blooms like a flower of the field; when the wind passes over it, it vanishes, and its place is no longer known.”

Job 14:1–2: “Anyone born of woman is short of days and full of trouble. He blossoms like a flower, then withers; he flees like a shadow and does not last.”

Sirach 7:36: “In all you do, remember that you must die, and you will never sin.”

James 4:13–14: “Come now, you who say, ‘Today or tomorrow we will travel to such and such a city and spend a year there and do business and make a profit.’ Yet you do not know what tomorrow will bring—what your life will be! For you are like vapor that appears for a little while, then vanishes.”

Contemplating our mortality is important. So, insofar as Ash Wednesday brings that mortality into view, it’s all to the good. My concern is how, when the penitential aspect is lost, Lent becomes disembedded from the Christian story. Lent becomes a generic “spiritual-but-not-religious” practice.

Not to pick on Kate Bowler, but her reflections on Lent were shared widely within my circle. See this Instagram video and these reflections from her Substack. A selection:

Ash Wednesday has never been subtle. It begins with dirt. Ash smeared across foreheads. Words that refuse optimism: Remember that you are dust, and to dust you shall return. No pivot. No lesson tied up with a bow. Just an embodied reminder that fragility is our baseline...

Ash Wednesday marks the start of that journey, when the church tells the truth about our limits out loud—using ash because words alone won’t do.

Lent doesn’t promise relief. It doesn’t offer a five-step plan for transcendence. It simply invites honesty. Forty days to stop pretending that we are fine, that we are in control, that we can outrun our limits with enough discipline or optimism.
First, notice the subtle conflation of "dirt" with "ash" across the second and third sentences. In point of fact, dirt is not rubbed on your head. The penitential symbolism of ashes is nudged aside to fit the new framing. Lent is no longer about sin but about our embodied fragility. Lent is about our limits, and that we can’t outrun them. All this is true, but it’s missing Genesis 3 and Psalm 143. And here a rupture with the Christian story regarding Lent becomes explicit:
I am not unfinished because I’ve done something wrong. I am unfinished because I am alive.
Lent is disembedded, here, from its penitential focus and Ash Wednesday begins to wander off into the the spiritual-but-not-religious haze, toward the pop existentialism, pop stoicism, and pop Buddhism. Kate's final lines:
But first—dirt will be rubbed on our foreheads.

We tell the truth. We are tired. We are longing. We are not finished.

So welcome to Lent, my dears. The ache is not going away.

But neither, somehow, is grace.
Again, dirt is not rubbed on your forehead. And while we do tell the truth during Lent, some true has gone missing here, the penitential truth of Psalm 143: “No one alive is righteous in your sight.”

And really, I'm not trying to troll Kate Bowler. Just yesterday I praised her to the sky in my graduate positive psychology class, energetically commending to them No Cure For Being Human. Kate Bowler is amazing. 

Because of her amazingness, Kate is popular in my circles, where her take on Lent is becoming normative: that Lent is about honestly confronting and embracing our finitude and limitations. But telling people it’s okay to be tired is sort of missing the point of Lent. And telling them they are “unfinished,” and that this unfinishedness has nothing to do with “having done something wrong,” is the exact opposite of Lent and is prone to being subtly co-opted by our wellness culture—precisely the thing Kate is trying to prevent. Lent becomes a practice of self-compassion. And we need self-compassion. But you can see the slipperiness here, how Lent becomes, even for Kate Bowler, about my mental health and wellness. And while we need all the help we can get with our mental health, this isn’t what Lent is really about.

Kate is right. During Lent we tell the truth.

I just wish we'd actually tell it.
badly_knitted: (Rose)
[personal profile] badly_knitted posting in [community profile] fan_flashworks

Title: Restoring Balance
Fandom: The Fantastic Journey
Author: [personal profile] badly_knitted
Characters: Rayat, Natica, York, Ty, the Travellers.
Rating: PG
Setting: The Innocent Prey.
Summary: Jonathan Willaway has never been particularly sociable, but being alone doesn’t suit him either.
Word Count: 500
Content Notes: Nada.
Written For: Challenge 507: Amnesty 84, using Challenge 72: Lost And Found.
Disclaimer: I don’t own The Fantastic Journey, or the characters. They belong to their creators.





Star Trek: Starfleet Academy 1.08

Feb. 27th, 2026 10:17 am
selenak: (Father Issues by Raven_annabella)
[personal profile] selenak
In which we find out the writers of this show must really like both Thornton Wilder and the last two seasons of Angel: The Series while having issues with one particular Voyager episode, or rather its aftermath. Also, at last, at last, SOMEONE is back an my screen!

Spoilers take back a key nitpick from last week and are an Angel fan anyway )
highlander_ii: ([SIM] SIM 002)
[personal profile] highlander_ii posting in [community profile] fan_flashworks
Title: Crushed by a Helicarrier
Fandom: Marvel 616
Rating: G
Content notes: None apply
Summary: icons of Superior Iron Man and Steve Rogers fighting just before the Incursion between Earth-616 and Earth-1610 happens and they're smushed by a helicarrier and they both perish


Crushed by a Helicarrier )
[personal profile] infinitum_noctem posting in [community profile] fan_flashworks
Title: A Way of Her Own
Fandom: Women's Soccer RPF
Pairings: Hope Solo/Kelley O'Hara
Characters: Hope Solo, Kelley O'Hara
Rating: G
Length: 324 words
Summary: Hope constantly faces criticism about her nature. Kelley reminds her not to let them affect her.

Read more... )

old HD

Feb. 27th, 2026 10:50 am
tielan: (24 - Renee2)
[personal profile] tielan
So, I was reading a Thread where a guy was warning about old drives, and how they might not last very long anymore because of degradation of the components used in them.

So, while looking for a mouse this morning, I dug up 2 old HDs (circa 2010?) and two external HDs and figured I'd kick them started and see if they worked.

And I just found the MOTHERLODE of photos!

Dating back to 2011! Including ones of my old cat, and the parentals' old cat, and friends' children as babies! WOW.

And old trips! Including a few that I thought I'd lost forever!

(Apparently, I have always taken lots of photos of builidngs!.)

Also, boy was I skinny!! Either that, or the camera made me look skinny. Oh, younger me, why did you not realise? XD
shadowkat: (Default)
[personal profile] shadowkat
1. Does anyone know of a really good tearjerker (preferably something I've not seen and doesn't cost anything). ie. A movie or television series that makes you sob or cry really hard? I'm trying to clear my sinuses, and a really good cry would aid in that tremendously.

I tried the Angel S5 Episodes A Hole in the World and Shells, but alas didn't help. Possibly because I'd seen them before, and I prefer Illyria and Illyria/Wes to Fred and Fred/Wes. I guess I could watch The Body again? But I re-watched recently, so not sure that would work.

2. Oh, weird take away from A Hole in the World (Whedon) and Shells (DeNight)? I preferred Shells, which was written and directed by Stephen DeKnight - that writer has the best written episodes overall, making me think I should try Spartacus at some point. Read more... )

3. Another weird tidbit -in response to a question about what he remembers most from filming the episode Smashed, in a recent Youtube Con Q&A, Marsters highlights the chandelier stunt (where Spike jumps onto the Chandelier and flies into Buffy?) - he wanted to do the stunt himself (because it would be a better take), but Jeff (the stunt coordinator) said no, no, that stunt is mine, I'm taking that one - and explained why. why actors do not do their own stunts unless they are insane )
The reason I love Marsters Q&A's and interviews - is he doesn't really talk about personal crap or himself all that much, he talks about the process of filming television series, theater, acting in various mediums, and the backstage or all the stuff that goes into creating a television series. I find what people do for a living fascinating - or the process of creating a work of art really interesting. (I'm not sure that's nerdy so much as geeky? Since I could care less about the minutia.)

4. I'm obviously feeling much better today. Even made it into work, which is a good thing - since my doctor's note stated I could come back today. the crazy ass process of getting sick time via Crazy Org or why I try to avoid it like the plague and considered using vacation time )

Still have it though. Read more... )

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